VoicePro: Professional Recordings for Your Phone System
Everything a caller hears before a person picks up is a recording somebody made once. The ones that damage you are rarely the badly recorded ones — they are the ones nobody has changed since January.
Request a quoteSix recordings, and five of them are an afterthought
Audio branding sounds like a marketing term and is really a list of six recordings. The greeting that answers the phone. The options on an auto attendant menu, if you have one. Whatever plays while somebody is on hold. The out-of-hours message that runs when the office is shut. Holiday and closure messages. And, where there is a queue, the announcements that tell callers they are waiting and roughly where they are. Most businesses commission the first one carefully and let the other five happen by accident.
The out-of-hours and holiday recordings are the ones that do the damage, because nothing tells you they have gone wrong. A message recorded before Christmas — closed until the 2nd of January, thank you for calling — will still be playing in June if nobody changes it, and nobody changes it, because nobody inside a business rings its own number at seven in the evening. What the caller hears is a company that has not looked at its own phone system in six months, which is exactly what has happened. Most of the fix is in the script rather than the system. Write the wording so it does not name a date unless it genuinely has to, and record the whole closed set in one go — normal out-of-hours, bank holidays, the Christmas shutdown, an unplanned closure — so the recording exists before the week you need it. Which one plays on which day is then a routing rule rather than a job somebody has to remember.
The other common failure is recording it in-house on a phone. That is not snobbery about whose voice it is, it is what happens to the audio afterwards. A call arriving from the public network is carried in the telephone band, roughly 300 Hz to 3.4 kHz: G.711 carries that band and nothing outside it, and G.729 compresses what is left harder still. A clip recorded on a mobile held at arm's length in a working office picks up room reverb, air handling and a level that moves between sentences, and the codec then strips out precisely the frequencies that would have made all of that read as an ordinary room. The noise survives; the acoustics that explained it do not, so it lands on the caller as a fault on the line rather than as a person in an office. A studio recording is close-miked, dry and level-controlled, so what survives the codec is the voice. Two handsets on the same system may talk to each other in wideband and sound better than any of this — but the callers you are worried about are not on your system.
VoicePro is the recording service that goes with Evonex. There is a library of over 10,000 professionally scripted and pre-recorded messages to use as they stand or edit, more than 50 languages and dialects, over 350 professional voice artists, and a large licence-free music library — which matters, because playing a commercial track to callers on hold is a licensing question rather than a technical one. There is also an activation wizard: you give it your website address, it reads what is published there and drafts scripts, then suggests voices and music to go with them.
Where we would use a synthesised voice and where we would not is worth saying plainly. Recordings made with the AI voices are unlimited, so for anything that changes often — a closure, a temporary notice, a seasonal opening time — they are the right answer, because the realistic alternative is not a better recording, it is no recording at all. For the main greeting, which every caller hears, a human voice artist is usually still worth the extra step. Whichever you use, listen to it saying your company name and your town before it goes live.
What actually gets recorded
The main greeting
The first thing every caller hears, and the one recording most businesses do commission properly. Worth keeping the same voice across everything below it.
Menu options
Each option on the auto attendant, in the same voice as the greeting, so the menu sounds like part of the system rather than something added afterwards.
On-hold music and messages
What plays between the transfer and the answer, including any promotional message you want in the gaps. Licence-free music, so what a caller hears is not also a rights question.
The out-of-hours message
For a business open nine to five, this covers more hours of the week than the greeting does. It is usually the oldest recording on the system.
Holiday and closure messages
Christmas, bank holidays and the unplanned shutdown. Worth recording as a set in advance, because they are always wanted at short notice.
Queue announcements
Where you run a queue: what somebody hears while they wait, and whether they are told where they are in it or left guessing.
Who we work with
We are independent of any single network or vendor, so the recommendation follows the requirement.
Telephony platforms
Hosted, on-premise or Microsoft Teams — the right answer depends on the building, not on what we prefer to sell.
Network and vendor names and logos are the trademarks of their respective owners, shown to describe the services SCG Solutions supplies.
VoicePro: Professional Recordings for Your Phone System — Common Questions
Can we not just record the greeting ourselves?
You can, and the reason it usually sounds wrong is technical rather than a matter of taste. A call from the public network is carried in the telephone band, roughly 300 Hz to 3.4 kHz, and compressed on top of that. A phone recording made in a working office carries room reverb, air handling and a level that moves between sentences, and the codec removes exactly the frequencies that would have made those read as a normal room, so what reaches the caller sounds like a problem with the line. A studio recording is close-miked, dry and level-controlled, so the voice is the part that survives. If you only pay for one recording, make it the greeting.
How should a closure message be worded so it does not go stale?
Avoid naming a date unless the caller genuinely needs it. "We are closed today and open again at nine tomorrow" is still true next year; "closed until the 2nd of January" stops being true on the 3rd and carries on playing anyway. The same applies to years, seasons and anything phrased as currently. Record a general closure message alongside the specific ones so there is always something correct to fall back on, and keep the dated wording for the closures you can genuinely predict. Which recording plays on which day is a routing question rather than a scripting one.
How quickly can we get a new recording?
It depends which kind you want. A recording made with one of the AI voices is generated inside the tool and there is no limit on how many you make, so a closure message is a script you write rather than a slot you book. A recording by a human voice artist is a production job and takes as long as that implies, which is the practical argument for spending it on the pieces that rarely change. Plan the greeting and the menu prompts in advance, and treat closure messages as something that can be produced on the day.
Can we play our own music on hold?
Technically yes, legally it depends. Playing a commercial recording to callers is a music licensing matter rather than a phone system one, and the position varies with the track and with how it is being used. The licence-free library exists so that this stops being a question you have to answer: you pick something that fits and nothing further is owed to anyone. If you want a specific commercial track, establish where you stand on licensing before it goes on the system rather than after.
What voices and languages can we have?
More than 50 languages and dialects, over 350 professional voice artists, and AI voices for anything you expect to change regularly. There is also a library of over 10,000 pre-scripted messages to use as they are or edit, which is usually quicker than writing from scratch. The choice that matters more than which voice you pick is using the same one everywhere. A greeting from one artist, a menu from another and an out-of-hours message recorded on somebody's phone is the combination that sounds unplanned, even when two of the three are good.
Is a synthesised voice good enough?
For most of these recordings, yes, and it beats the realistic alternative, which is a message nobody updates because updating it means arranging a recording. Use it for closures, temporary notices and seasonal hours, where being current matters more than being polished. For the main greeting, which every single caller hears, a human artist is usually still worth the extra step. Either way, listen to it saying your company name and your town before it goes live, because unusual business names and British place names are where synthesis most often gets the pronunciation wrong.
Can we keep the recordings we already have?
Send them over and we will listen before suggesting anything. If a greeting was recorded properly and still says something true there is no reason to redo it, and keeping it means the voice your regular callers already know does not change. What usually needs replacing is everything around it — the menu prompts, the closed message, the hold audio — because those are the ones that were done in a hurry. Tell us what you want to keep before anything is scripted, since matching later recordings to an existing voice is the harder half of the job.
Do we need this if we do not have a phone menu?
Probably still yes, and possibly more so. Menus are the recordings people think of, but a business with no menu at all still has a greeting, an out-of-hours message and something playing on hold, and between them those cover more of the week than a menu would have. Having no menu makes the greeting matter more rather than less, because it is doing the whole job of the first impression on its own.
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Where we cover voicepro: professional recordings for your phone system
We deliver this across the UK. These 8 are where a director is actually based — each page names who you would be dealing with, and what the local economy is made of.
Record the closed ones before you need them
Most businesses commission a greeting and stop there. Tell us your opening hours, the closures you already know about and how you want to sound, and we will script and record the set in one voice — greeting, menu prompts, on-hold, out-of-hours and the holiday messages. The closure recordings are the ones worth doing now, because the alternative is doing them in the week you need them.
